Mob at Mumbai cinema diminished spirit of national anthem

Who decides what is nationalism and how best it is to be displayed? For some, standing up for the national anthem is tokenism; for others it is a sacred duty. For some, our flag and national anthem are the glues of nationhood; for others, nationalism is best expressed through being good citizens.

In 2009, months after the 26/11 terror attack in Mumbai, Ram Gopal Varma made a film called Rann. A critique of media’s insatiable appetite for TRPs, the movie’s title track was a remix of the national anthem, with the added word rann (or war). Jana Gana Mana rann hai, is rann mein zakhmi hua hai Bharat ka bhagya vidhata and so on. To nobody’s great surprise, the Censor Board raised objections and Varma had to drop the song.

What a long way we’ve come since 2009. Then, I wrote about how Varma had crossed a line. But nobody suggested that he was being unpatriotic or less than Indian or should be dispatched to Pakistan.

Now, forget about remixes, people who fail to stand during the playing of our national anthem are abused, threatened and ejected from movie halls by vigilante audiences. Continue reading “Mob at Mumbai cinema diminished spirit of national anthem”

He has had the last laugh

In death, people have ceased to be objective about late Shiv Sena chief Bal Thackeray.

The life-size effigies strung up on lamp-posts were terrifying – at least to a child. In the late sixties/early seventies, they symbolised the South Indians who the Shiv Sena was determined to drive out of Bombay, as the city was then called. It was a sight designed to intimidate.

Forty-odd years later, intimidation remains the party’s chief weapon. Over the years, the ‘enemy’ has changed, from South Indians to Muslims to Biharis, but the tactics remain the same.

Continue reading “He has had the last laugh”